Capture One Preset TECHNICOLOR Film Simulation Premium Desktop & Mobile Pc Mac iPad Pro | C1 Presets .costyle | analogica.lab

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Each product is designed to work for certain software by exploiting their limitations, this makes each emulation unique, a LUT will not have the same result as the Presets for Capture One & Lightroom 📷.

The best way to start in film emulation is

🎨 LUT Look-Up Table

LUTs (Look-Up Tables) are tables that I developed of values ​​that are used to modify the colors of a video or image.

LUTs are in .cube format so make sure that the software you use daily supports the .cube format

LUTs are Developed on Rec709 footages and stills // Real Film Photos and Movies

LUTs are also available for specific LOGs

LUTs for ARRI LogC3

LUTs for ACES ACEScct

LUTs for BMD Gen5

LUTs for Sony SLog3

LUTs for Panasonic V-Log

LUTs for Fuji F-Log2

LUTs for Apple Log

Tips precious to you!

LUTs are a great practical and fast system especially light on your CPU / GPU to start with film emulation, you can use them in many softwares, also load it in some specific Cinema Cameras / Cameras you can apply them in your photographic and videographic productions but also in video games, graphics and in your drawings or paintings.

PowerGrades for DaVinci Resolve Studio

They are chains of serial nodes with a well-defined logic. They come with LUTs that freeze the color harmony of the emulated stock.

Capture One / Lightroom presets

Lr/C1 presets are both based on the same technique and are a really a great solution for photo editing, they work on the RED - GREEN - BLUE curves and allow you to create the harmony of the emulated film even by modifying the contrast, the saturation to your needs!

Each emulation is numbered and the delivery is a single preset, this is enough, it will be up to you to adjust the image to reach the sweet spot, that's where the magic begins.

For NERDs and the DARING

ANALOGICAFILMe

It is the dynamic emulation that I developed that allows you to recreate the behavior of a film,

I developed it by observing the behavior of classic Italian and International films, especially the restored versions which I recommend analyzing to better understand how colors react when they hit the film.

ANALOGICAFILMe is designed exclusively for DaVinci Resolve Studio for the final "mastering" as it is really very heavy and you should completely forget the idea of ​​​​viewing your film in real time, not even NASA's computer could do it.

As always I recommend using 720p timelines in the color and editing phase and switching to 1080p or 4k or higher resolutions only in the rendering phase.

I created a BLOG article available on the analogicalab store, I recommend you read it.

FilmBreath & FilmWave
These are two fusion compositions for DaVinci Resolve, also compatible with the FREE version.

They allow you to obtain the film movement and color oscillations present in the behaviors of analog film, they can be the icing on the cake.

DCTLe for DaVinci Resolve Studio

DCTLe are amazing tools that I developed to make color grading easier and fun, that's the intent.

Get the look you desire and optimize extra complicated adjustments by moving simple sliders.

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